{"id":74740,"date":"2016-10-28T18:30:12","date_gmt":"2016-10-28T17:30:12","guid":{"rendered":"http:\/\/www.realites.com.tn\/?p=74740"},"modified":"2016-10-28T17:01:22","modified_gmt":"2016-10-28T16:01:22","slug":"cinemed-la-belle-effervescence-post-revolution-du-cinema-tunisien","status":"publish","type":"post","link":"https:\/\/realites.com.tn\/fr\/cinemed-la-belle-effervescence-post-revolution-du-cinema-tunisien\/","title":{"rendered":"Cinemed: la belle effervescence post-r\u00e9volution du cin\u00e9ma tunisien"},"content":{"rendered":"

\"imgres\"<\/p>\n

Le cin\u00e9ma tunisien, brid\u00e9 pendant les deux d\u00e9cennies de r\u00e8gne de Ben Ali, conna\u00eet un v\u00e9ritable renouveau depuis la \u00ab\u00a0r\u00e9volution du jasmin<\/em>\u00ab\u00a0. Il s’autorise d\u00e9sormais \u00e0 aborder les r\u00e9alit\u00e9s sociales et l’intimit\u00e9.<\/p>\n

\"503014_4\"

Anissa Daoud<\/p><\/div>\n

C’est le constat dress\u00e9 lors du 38e festival international du cin\u00e9ma m\u00e9diterran\u00e9en (Cinemed) de Montpellier. Il c\u00e9l\u00e8bre cette semaine ce \u00ab\u00a0Printemps tunisien<\/em>\u00a0\u00bb avec une vingtaine de films \u00e0 l’affiche et une forte pr\u00e9sence de r\u00e9alisateurs et producteurs tunisiens.
\n\u00ab\u00a0Il y a, \u00e0 l’heure actuelle, un vivier de cin\u00e9astes tunisiens qui ont du talent et envie de s’exprimer<\/em>\u00ab\u00a0, souligne Christophe Leparc, directeur de Cinemed et secr\u00e9taire g\u00e9n\u00e9ral de la Quinzaine des r\u00e9alisateurs de Cannes.
\nAnissa Daoud, actrice et productrice franco-tunisienne, se r\u00e9jouit du \u00ab\u00a0foisonnement d’un cin\u00e9ma ayant les pieds ancr\u00e9s dans le sol tunisien et la t\u00eate dans les probl\u00e9matiques du monde actuel\u00a0\u00bb<\/em>. Elle fait \u00e9tat d’un \u00ab\u00a0grand d\u00e9sir de voir des images du r\u00e9el\u00a0\u00bb dans la Tunisie post-r\u00e9volution.<\/p>\n

\"Dora

Dora bouchoucha<\/p><\/div>\n

Thermom\u00e8tre d’une d\u00e9mocratie<\/strong>
\n\u00ab\u00a0Le cin\u00e9ma ant\u00e9rieur pouvait \u00eatre politique mais pas de mani\u00e8re frontale<\/em>\u00ab\u00a0, explique la productrice Dora Bouchoucha. \u00ab\u00a0Il n’y avait pas de documentaire ou alors sur la danse ou le patrimoine…<\/em>\u00a0\u00bb
\n\u00ab\u00a0Le documentaire, c’est le thermom\u00e8tre d’une d\u00e9mocratie<\/em>\u00ab\u00a0, rench\u00e9rit la r\u00e9alisatrice Kaouther Ben Hania. Or, sous le r\u00e9gime de Zine El Abidine Ben Ali, renvers\u00e9 en 2011 par une r\u00e9volte populaire, \u00ab\u00a0seul le pouvoir avait le droit de transmettre le r\u00e9el \u00e0 travers sa propagande<\/em>\u00ab\u00a0.
\nAu-del\u00e0 de la censure pratiqu\u00e9e auparavant, \u00ab\u00a0c’est surtout l’autocensure qui a disparu<\/em>\u00ab\u00a0, rel\u00e8ve Dorra Bouchoucha.<\/p>\n

\"amari_raja_2014_dr\"

Raja Amari<\/p><\/div>\n

Force lib\u00e9ratrice<\/strong>
\nLors du soul\u00e8vement populaire de 2010-2011, \u00ab\u00a0beaucoup de jeunes ont pris des cam\u00e9ras et sont all\u00e9s au front<\/em>\u00ab\u00a0, raconte la r\u00e9alisatrice Raja Amari.
\n\u00ab\u00a0Souvent la r\u00e9volution est en toile de fond<\/em>\u00a0\u00bb des films tunisiens de ces cinq derni\u00e8res ann\u00e9es, mais \u00ab\u00a0on s’int\u00e9resse davantage aux th\u00e9matiques sociales et \u00e0 l’intime qui sont universels<\/em>\u00ab\u00a0, analyse Kaouther Ben Hania. \u00ab\u00a0On a assist\u00e9 \u00e0 l’Histoire en mouvement et ce qui s’est pass\u00e9 pendant la r\u00e9volution m\u00e9rite r\u00e9flexion, temps et distance<\/em>\u00ab\u00a0.
\n\u00ab\u00a0Cette r\u00e9volution a peut-\u00eatre donn\u00e9 une force qui lib\u00e8re la t\u00eate<\/em>\u00ab\u00a0, avance Leyla Bouzid, r\u00e9alisatrice de \u00ab\u00a0A peine j’ouvre les yeux\u00a0\u00bb (2015), qu’elle qualifie de \u00ab\u00a0travail de m\u00e9moire<\/em>\u00ab\u00a0.
\nDans ce film bourr\u00e9 d’\u00e9nergie sur la soif de libert\u00e9 de la jeune g\u00e9n\u00e9ration lors des ann\u00e9es de dictature, la trentenaire a eu envie \u00ab\u00a0d’aborder de mani\u00e8re directe les 20 ann\u00e9es d’Etat policier, l’ambiance de peur dans laquelle on a v\u00e9cu\u00a0\u00bb.
\n\u00ab\u00a0Il y a dix ans, on produisait deux ou trois films par an en Tunisie, aujourd’hui on en est \u00e0 15 ou 20<\/em>\u00ab\u00a0, ajoute Mohamed Ben Attia, dont le long-m\u00e9trage \u00ab\u00a0Hedi<\/em>\u00a0\u00bb a remport\u00e9 le prix de la meilleure premi\u00e8re \u0153uvre \u00e0 la Berlinale 2016.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Le cin\u00e9ma tunisien, brid\u00e9 pendant les deux d\u00e9cennies de r\u00e8gne de Ben Ali, conna\u00eet un v\u00e9ritable renouveau depuis la \u00ab\u00a0r\u00e9volution du jasmin\u00ab\u00a0. Il s’autorise d\u00e9sormais \u00e0 aborder les r\u00e9alit\u00e9s sociales…<\/p>\n","protected":false},"author":60,"featured_media":74742,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"","_lmt_disable":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[4,8],"tags":[],"class_list":["post-74740","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualites","category-culture"],"yoast_head":"\nCinemed: la belle effervescence post-r\u00e9volution du cin\u00e9ma tunisien - R\u00e9alit\u00e9s Magazine<\/title>\n<meta name=\"description\" content=\"Le cin\u00e9ma tunisien, brid\u00e9 pendant les deux d\u00e9cennies de r\u00e8gne de Ben Ali, conna\u00eet un v\u00e9ritable renouveau depuis la "r\u00e9volution du jasmin". 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